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中国文化 影响世界——走进国际书画名家李春华

来源:环球文化网  http://www.zsfancheng.com     编辑:Emily 2019/9/26

      “新时代要有新作为。”站在新时代中国国际传播事业的新起点和最前沿,不忘初心,牢记使命,不断开拓对外宣传工作新局面,努力谱写讲好新时代中国故事的壮美篇章,为提升中华文化国际影响力续写新的辉煌。
      广东汕尾李春华少年时即爱书画,毕业于深圳书画艺术学院。继之,结业于清华大学美术学院,复经该院山水画高研班深造。为中国书画艺术研究院艺委会委员,国家一级美术师,中国文化部所授“德艺双馨艺术家”。作品数十次发表于国家与省市级报刊。多次参加国家级展览并获奖。在深圳迎世界大学生运动会及甲午年庆国庆“中国书画名家六人联展”中,有电视台曾作“铁骨冰心见精神一一李春华”专访报道。作品被北京人民大会堂等多家文博单位收藏。

      "New era needs new achievements." Standing at the new starting point and cutting-edge of China's international communication in the new era, keeping in mind its original intention, keeping in mind its mission, constantly opening up a new situation in foreign propaganda work, striving to compose a magnificent chapter of Chinese stories in the new era, and continuing to write a new brilliance for enhancing the international influence of Chinese culture.

      Li Chunhua in Shanwei, Guangdong, loved painting and calligraphy when he was a teenager. He graduated from Shenzhen Academy of Calligraphy and Painting Arts. Secondly, he graduated from the Academy of Fine Arts of Tsinghua University and further studied in the advanced research class of landscape painting of the Academy. He is a member of the Arts Committee of the Chinese Academy of Calligraphy and Painting Art, a first-class artist of the state, and a "artist of both virtue and art" awarded by the Ministry of Culture. His works have been published dozens of times in national and provincial and municipal newspapers. He has participated in many national exhibitions and won prizes. In Shenzhen to welcome the World University Games and the National Day "Six Chinese Painters and Calligraphers Joint Exhibition", some TV stations have made an exclusive report on "Bone Bingxin Spirit One Li Chunhua". The works have been collected by many cultural and exposition units such as the Great Hall of the People in Beijing. 

作品1

      近年来尤钟情梅画创作,笃研文人画之三昧,秀婉与古朴兼具,苍茂中溢清雅,传统文人画之理趣与当代人文精神交融,别具高格,故获各界人士钟爱而膺“岭南一枝梅”之美誉。 
      梅花,素具独特之意象;傲岸之干,耐寒之性,秾丽之花,清幽之香,位居“四君子”之首,成为传统花鸟画之热门题材。自元代王冕以后,梅花已于文士墨客高层次之审美领域卓立高标,名家辈出。就画幅的造型而言,有的善作单株疏梅,有的凭丛枝繁花以擅胜场。即使同为墨梅,金农以密枝纷披,杂以圈花取胜;吴昌硕则每以瘦挺之独株,配以长款之诗文相映成趣:至关山月,则又以“满幅繁花红欲燃”为特色;其后继者山东王进喜于斯道更有青胜于蓝之气概。
      In recent years, you have been fond of plum painting creation. You have studied three kinds of literati paintings. They are both elegant and elegant. The traditional literati paintings blend with the contemporary humanistic spirit and have a unique high standard. Therefore, they have won the reputation of "Lingnan plum" from all walks of life. 
      Plum blossom, with its unique image, has become a popular theme in traditional flower and bird paintings because of its proud stem, cold resistance, beautiful flowers and delicate fragrance. Since Wang Mian of the Yuan Dynasty, plum blossoms have been outstanding in the high-level aesthetic field of literati and ink poets, and many famous scholars have emerged. As far as the shape of the picture is concerned, some of them are good at thinning plums per plant, and others are good at winning the field by blooming and bushing. Even if they are Meimei, Jinnong wins with dense branches and wreath flowers; Wu Changshuo always wins with thin and stiff plants, matched by long poems and essays; at Guan Shanyue, they are characterized by "full blossom and red flames"; Wang Jin of Shandong, the successor, is more green than blue in Sidao. 

作品2

      面对画梅百家之各呈异采,各领风骚,李春华长期孜孜不倦于新技法之创新与新意境之开拓。他深研当代名家风格,从北京郑发祥最擅用冰天雪地与浓霜寒湍之背景衬托梅花之繁荣,不唯尤显冷艳,更呈绚烂。热烈之神韵,从中体悟到艺术创新的多元性,终于在恪守古法、尊崇传统的主旨上,专就“骨法用笔”苦心探索,用纯熟的篆隶行草等书法融入画笔,彰显梅花的虬枝铁骨,刻画花萼之郁勃生机,笔墨更凝炼含蓄;篇幅虽不宏大,而气势充沛,气象庄穆清逸,体现了书画同源合一的民族艺术之独特美学理念,再者,也提升了梅花的审美意蕴,寄寓了对顽强不屈的民族精神的赞美。
      Li Chunhua has long been tireless in the innovation of new techniques and the development of new artistic conception in the face of the different styles and leading styles of painting Mei Bai schools. He deeply studied the style of contemporary famous artists. Zheng Faxiang, from Beijing, was best at using the background of ice, snow and thick frost to set off the prosperity of plum blossoms, not only showing coldness and brilliance, but also showing brilliance. Warm charm, from which we can realize the pluralism of artistic innovation. Finally, on the theme of abiding by the ancient law and revering tradition, we have made painstaking exploration on "using pen with bone" and merged into brushes with skilled calligraphy such as seal script, line and grass, to highlight the vigor and vitality of plum blossoms, depict calyx, and make pen and ink more concise and implicit. Big, vigorous and elegant, which embodies the unique aesthetic idea of the national art of the unity of calligraphy and painting. Moreover, it also enhances the aesthetic connotation of plum blossom and embodies the praise of the indomitable national spirit.

作品3

      且看题诗“春归笑隐绿丛中”之红梅,主干呈倒“人”字形兀立,中部与顶部枝芽纵横穿插,数以或浓或淡之花朵,疏密相间;以流畅爽利之行草笔法勾勒主干,别具丽质丰神。细加品赏,但见整株主干都用淡墨,唯下部稍施浓墨苔点,备显浑穆苍古;而顶部亦有两三株浓墨细干,横斜伸延,与淡色主干相映,既觉活泼秀逸又生趣盎然。“傲骨生辉图”则另呈面目,以浓墨塑造屈曲盘错之下部老干,苍虬劲健之姿跃然纸上,书法之骨力昭然;唯左面一枝,用淡墨斜伸上空,与前者形成鲜明对比,平衡了布局,亦增添了空灵秀逸之神韵。另三幅皆属狭长画幅,取上下走势,却造型各异;“绿梅图”似苍龙从空而降,活翻多姿,墨色又极富变化。整幅作品以淡雅清疏之绿梅,衬托极具动感之主干,动静相谐,相映成趣,而其余两幅均呈古朴疏朗之态,亦殊堪玩味。
      Looking at the red plum in the inscription poem "Spring returns to laugh and hide in the green bushes", the trunk is in the shape of inverted "human", and the middle and top branches and buds intersect vertically and horizontally, counting or dense or light flowers, dense and dense; sketching the trunk with a smooth and smooth way of sketching, has a unique beauty and rich spirit. Appreciate carefully, but see the whole trunk with light ink, only a little thick ink moss dots on the lower part of the plant, to show a murky ancient; and the top also has two or three thick ink trunks, horizontal extension, and the light trunk, both lively and lively and interesting. "Ao Gu Sheng Hui Tu" takes on a different look, shaping the old trunk below the buckling tray with thick ink, and the skeleton of calligraphy is vivid in the vigorous and vigorous posture of the old man on the paper; only one branch on the left, stretching obliquely over the sky with light ink, forms a sharp contrast with the former, balances the layout, and adds the charm of spirituality and elegance. The other three are all narrow and long paintings, with different shapes, but different upward and downward trends; the "green plum picture" is like a dragon falling from the sky, vividly turning, and the ink color is very changeable. The whole work is elegant and sparse green plum, which sets off a very dynamic backbone. The motions and motions are harmonious and interesting, while the other two are simple and clear, which is also very interesting. 

作品4

      当今盛世清明,百业鼎兴,为艺术创造之繁荣提供了广阔之空间。在绘画创新之路上尽可百花齐放,各擅胜场,殊途同归。笔者以为,人们常说的“道理”一词,其源即为我国独创之道教理念,无论张璪还是宗炳、恽南田,抑或石涛,都指出道家之理与丹青之理的贯通谐合,以之品赏李春华之梅花作品,其成功之处可概括之为“道”法自然、“继”乎传统、“融”入书法、“遵”于中庸。李春华适值人生之壮年,艺途漫漫,前程无量,盼其创作更加丰盛,更具独特的不流时俗之风采。
2015年元旦深圳逸斋沙雁
      Nowadays, the prosperity of Qingming and the prosperity of all trades provide a broad space for the prosperity of artistic creation. On the road of painting innovation, all flowers can blossom, each is good at winning the field, and return to the same place by different routes. The author thinks that the word "reason" is originated from the original Taoist ideas of our country. Whether Zhang Bi or Zong Bing, Yun Nantian or Shi Tao, they all point out that the Taoist doctrine is in harmony with the Danqing doctrine and appreciate Li Chunhua's plum blossom works. Its success can be summarized as "Tao" follows nature and "succession". ” According to tradition, "merge" into calligraphy, "obey" in the mean. Li Chunhua is in his prime of life. He has a long artistic journey and boundless prospects. He hopes that his creation will be more abundant and have a unique style of being out of fashion.
New Year's Day, 2015, Shayan, Yizhai, Shenzhen

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【来源:北国网】

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